COMPOSITIONS

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CHORAL

Gold and Thorns, Fire and Ice (2016) 
for voices STTTBB; 5’
Commissioned by Singer Pur


It is Enough (2016) 
for voices STTTBB; 4’
Commissioned by Singer Pur


Seikilos (2011) 
for women’s choir & three soprano soloists; 3’
Commissioned by Phillip Swan and Cantala


Shining Light (2009) 
for women's choir or voices SSSA; 6’
Commissioned by Canty


Ego dilecto meo (2002) 
for voices STTTBB; 3’
Commissioned by Singer Pur


Il nome del bel fior (1998) 
for voices SATTTTTBBB; 23’
Funded by a Composer Fellowship from the North Carolina Arts Council for Singer Pur and the Hilliard Ensemble


Earlier Heaven (1996) 
for choir SSAATTBB; 20’
Commissioned by the Scottish Arts Council and Cappella Nova


Kyria christifera (1995) 
for voices STTTBB; 6’
Commissioned by Singer Pur


Music for the Star of the Sea (1994) 
for voices ATTB; 8’
Co-winner, Hilliard Composition Prize

 

SOLO VOCAL

Darkening of the Light (2016) 
for soprano, cl, vla, perc, piano; 6’
Commissioned by Margaret McNeal and Jon Hanrahan for LILITH


The Time Song (2003) 
for soprano & saxophone quartet; 4’


Tempus fugit (2003) 
for soprano and piano; 4’
Commissioned by The Year of William Meredith Organizing Committee


Doom-begotten Music (2001) 
for tenor and piano; 24’
Commissioned by John Potter

 

ORCHESTRA & LARGE ENSEMBLE

La Serenissima (2006)
(Orphans of the Heavenly City, Pt. 2)
for sopr, soloists TTB & orchestra; 20’


The waters of speech are silent (2006)
for wind ensemble; 9’
Commissioned by a consortium of six CBDNA wind ensembles


Doom-begotten Music (2003)
for tenor and string orchestra; 24’
Commissioned by John Potter

 

SOLO & CHAMBER MUSIC

Ephemera (2014)
for flute octet; 7’
Commissioned by Erin Lesser and the Lawrence Flute Ensemble


Floating and Grooving (2003)
for marimba; 9’
Commissioned by Nancy Zeltsman


String Quartet No. 1 (2000)
for string quartet; 17’
Commissioned by the Ciompi Quartet


Proserpine (1997)
for violin, two violas, accordion; 11’
Commissioned by The Netherland-America Foundation


riverrun, past Eve and Adam's... (1996)
for five-octave fortepiano; 11’
Commissioned by Jan-Marc Reichow


Deux-pièces (1994)
for violin; 7’


Blind Watchmaker (1993)
for two pianos; 13’

 

FIXED MEDIA

Ka (1990) 
for extended voice/fixed media; 4’